2000’s DECADE
HEAT’S ON: A decade of transformation. The dawning of the age of Aquarius. Water turning to steam. Fruition from the quest was liberating. It was a decade that exchanged ambition for the magic of the unknown.
50-Years of Vision Quest
I felt I had an appointment that morning in China. The sensation was so strong that I aborted a tour group, in the middle of the highway, to hail a taxi back to the gateway town of Wulingyuan, two hours away.
The park in this Hunan Province town is a massive 23 square mile area called Zhangjiajie. For some reason I needed to return to a specific area where the makers of the movie Avatar, got their inspiration for Hallelujah Mountain. The urgency was so compelling; I was the first person in the park the next morning, took the first bus to the base to ride up the tallest outside elevator in the world. Rode up the side of the mountain and got on the second bus filled with park workers going to work. I then hiked in the rain, to the overlook and for a few hours, I tried to photograph while juggling an umbrella.
The fog, the rain was unrelenting and I was ready to admit defeat after a few hours. I decided to give one more stab at the viewpoint. It was unimpressive. As I made my way back to the bus, three figures approached. Out from under one of the parka hood, a pair of woman’s eyes crossed my sight. It was distinctly western, it quickly looked away when we passed.
I walked thinking about how rare to see a western tourist in this part of China then returned back to the dreary weather. When I concluded there was nothing more to justify the miserable soaking, I rode down the elevator and paused at the base wondering, “What was the urgency that brought me out that morning?” If it was to photograph, it certainly was a bust.
Suddenly, I see a monkey walk out of the woods. He ambled by, and jumped (more like levitated) up to a concrete railing next to me. He took three crisscrossing steps of hands and feet to approach and then mounted a post. He settles his body around as if to pose. Seeing my first Macaque up close, I immediately went for the camera. The monkey didn’t care. His mind was somewhere else.
He didn’t look happy. A deep gash across his right forehead suggests a fight. He looked terrible, depressed, worse than a normal Macaque. He just ignored me, pouted. A few minutes later, he got up, jumped down, and slowly crawled back into the woods.
“Wow! What was that? No doubt the highlight of my day!” It was the moment I beseeched. It was thrilling; it even got me up the next morning, hoping luck would strike the same mountain twice.
So I rode the 66-second elevator up the third time. ($12 each way!) Since the weather improved, I planned to make the same round but come down the park on the Tianzi Mountian cable car. Once again, it was uneventful — beautiful sceneries but nothing earth-shattering. On my way out of the cable car park, I notice another western face. It was the profile of a young woman with a radiant smile. There was innocence, a sublime beauty full of empathy in that fleeting glimpse. It caused me to turn back and look after they passed. There were three women; two were wearing brown hiking boots. Indeed a fleeting sight but, this was my last day, time to pack for the trip home.
The night, filled with Chinese faces boarding the flight — Three-Hours north to Peking to fly four-hours south to Hong Kong, then 5 hours north, again, to Korea to catch a flight across the ocean, home. I shook my head as I inched forward on the delayed flight. It was past midnight. “Who would book such a route just to save $60?”
From afar, I spot two western women next to an empty seat looking at me expectantly. I store my bag overhead, confirmed it was my seat, said hello to one in the middle, and then greeted what appears to be the daughter. She responded gleefully, and the mother thanked me for speaking English. We talked. They’re on their way back to Peking and have been bouncing around Asia for a year following the daughter’s budding modeling career. Before long, their descriptions of the past two days started to sound familiar. I suddenly asked to see what kind of shoes they were wearing, and I leaned down to see two pairs of brown hiking boots!
EPILOGUE:
It was the quickest 3-hour flight. I was so engaged in the conversation; I forgot to go to the bathroom. By the time I realized I had to go, the plane was landing. I told the mother, “Boy, I need to go pee!” Getting off the plane was excruciatingly long, the walk to the bathroom, even longer. The mother thought it was my way of saying goodbye but don’t tell this to anyone.
It’s the first time I met two girls and wet my pants.
Not Connected?
HEAT’S ON: A decade of transformation. The dawning of the age of Aquarius. Water turning to steam. Fruition from the quest was liberating. It was a decade that exchanged ambition for the magic of the unknown.
DECADE OF ADVENTURE: Fresh and exciting, a decade of innocent encounters, whether temporal or spiritual, all powerful awakenings. A dance of light, faith, and form, converging in time, out of chaos into moments of delight and awe.
NEW WORK: Enter to see photo: This is a work in progress page. SUBSCRIBE for the latest stories, blogs and (if I’ve taken pictures of you in the last 50 years) don’t miss friendship updates. Thank You!
DECADE OF ADVENTURE: Fresh and exciting, a decade of innocent encounters, whether temporal or spiritual, all powerful awakenings. A dance of light, faith, and form, converging in time, out of chaos into moments of delight and awe.
RESORT DEVELOPER
Future page about Hubert Baudoin of the Moorings will be completed. Enter now to see photos. Since 1985.
WATER PROTECTOR
Future blog page about Jason Umtuch will be added here. Enter now to see photos. Since 2016.
PHOTO EDITOR
Future blog about Sylvie Rebbot will be completed. Enter now to see photos. Since 2001.
STAR MOTHER
Future blog page about Ryan Abeel will be added here. Enter now to see photos. Circa 1995.
FLAT EARTH BELIEVER
Future blog page about David Weiss will be added here. Enter now to see photos. Since 1999.
ARTIST/AUCTIONEER
A future blog about Archer Mayowill be added here. Enter now to see photos. Since 2016.
PHOTO EDITOR
A future blog about photo editor Elizabeth Biondi will be completed. Enter now to see photos. Since 1981.
Welcome to the future blog page about Berenice Abbott. Enter to see photos. Circa 1984
FILMMAKER
Welcome to the future blog page about the amazing Charles Dasher. Enter to see pictures. Since 1992
PHOTOGRAPHER
A future blog about David Alan Harvey will be added here. Enter now to see photos. Since 2010.
FLAT EARTH BELIEVER
Future blog page about David Weiss will be added here. Enter now to see photos. Since 1999.
AIRLINE EXECUTIVE
Future blog page about Joel CHusid will be added here. Enter now to see photos. Since 1994.
This work-in-progress is the unveiling of a fifty-year visual-journey by photographer John Chao. You’re signing up for future updates, events, and offerings. We guard your privacy and maintain your exclusive ad-free subscription. Unsubscribe at any time with a click of a button. Thank you!
We hate SPAM and promise to keep your email address safe. Here is our Privacy Policy.
-Continued from Published
Bob Gilka, the Director of Photography at National Geographic Magazine seem to resent me for sleeping with the enemy. He was not about to further my career. He saw me as a rule-breaker. Someone unbefitting to his proven talents even though I graduated from the very top of his associated institutions. He never gave me a single assignment, voluntarily, that is. Thirty years later, his assistant sought me out at a gathering and told me he was near death.
I embraced her, asked her to wish him my best and to tell him how much I’ve admired and looked up to him. Her eyes glassed; in a tender, almost apologetic voice, she said. “Thank you, John, I know it will mean a lot to Mr. Gilka to hear this coming from you.”
Gilka was an ego-driven drill sergeant whose magazine was his oligarchy. The reputation and mystique behind the magazine suited him well. My first encounter with the man was in his office. Like all aspiring photographers, we made our way to be ordained. On his door, the sign said, Wipe Your Knees Before Entering.
“You need to work for a newspaper!” was his response after viewing my portfolio. Sheepishly told him I was offered a job in a Kansas newspaper but turned-it-down because I didn’t want to leave NYC. Before I could finish, he yelled: “Who Clarkson!?”
Surprised by the outburst, I timidly said, “Yes!” He stared at me for an eternity. I swear I saw smoke sputter out of his head. He hissed, “NOW, IF THAT IS TRUE! You have to be the dumbest jack-ass ever walked into my office!”
With his doubting eyes, he glared at me as if he’d caught me in a lie. “Do you know how many photographers would give their right arm to be at the Capital-Journal?!” My sheepishness must have confirmed his suspicions. Not being a student of journalism, I was unaware of the extensive network this drill-sergeant uses to gather his Geographic talents. Colleges, newspapers across the country, the bastion of the Missouri Workshop, were all part of his well-established web. That morning, I was utterly unaware; Topeka Capital-Journal was the pinnacle of his recruitment network. Anyone hired there would not have gone unnoticed, and anyone declining a job there is a liar. “Well, get the hell out there and come back after you have some newspaper experience.” (I swear I’ve got a bruise on my rear to prove it ;-).
So I called Rich Clarkson and asked if the job offer was still good.
A FEW YEARS LATER, I sat in the same office facing the same doubting face. Chief Editor, Bill Garrett insisted that he assign me to photograph an article I’d proposed on Taiwan. After weeks of delay, he reluctantly offered me a fraction of the day-rate compared to GEO and later made a stink about the Chinese receipts I submitted. I did not get more assignments from him even though the Taiwan article was credited to be “transformative.” I don’t know what that meant, but it was, the first time Geographic published blurred pictures. So when his assistant made the non-verbal apology, I was surprised and wished that I had the opportunity to sit and laugh with the old geezer some 30-years later.
I understand Bob Gilka; we had mutual friends. I will always be grateful to him. Firstly, in helping me realize what newspaper work means. Secondly, in affirming my conviction NOT to wear corporate success as a form of personal achievement. Throughout the years, I knew he was surprised to hear my name intertwined in conversations. I was the jack-ass that kept beating the drum but didn’t follow his path. I think, in the end, he would have applauded me for doing this. RIP
Return to Published
View Published Articles